Author: Admin

Saturday, May 7, 2011

Officials say 27 people are dead after a plane crashed into the sea off east Indonesia today. Fifteen bodies have been recovered and it is thought the others on board have sunk with the wreckage.

“I can confirm that all the passengers were killed when the plane exploded as it crashed into the sea,” an Indonesian navy official told local radio station ElShinta. He said around ten navy divers were sent to the Papua crash site 400 metres off-shore in six kilometres of water but “had difficulties locating them [trapped passengers] due to strong currents and limited equipment.”

Merpati Nusantara Airlines has not confirmed passenger numbers. A transport ministry spokesman said the ministry is “still checking on the passengers’ situation,” adding “the weather was pretty bad at the time [of the crash].” Built by the Aviation Industry Corporation of China, the propellor-driven MA60 was 500 metres from a runway when it crashed, according to airport officials.

The nation of islands has heavy use of aviation and a poor safety record, including the crash of an Adam Air jet in 2007 that killed 102 people near Sulawesi. The European Commission had banned all Indonesian airlines from entering it, but two years ago flag carrier Garuda Indonesia was deemed to have improved and allowed to enter.

Monday, November 5, 2007

In the 1980’s and the 1990’s there were multiple allegations of sexual abuse of children or non-consenting adults in the context of Satanic rituals that has come to be known as The Satanic Panic. In the United States, the Kern County child abuse cases, McMartin preschool trial and the West Memphis 3 cases garnered worldwide media coverage. One case took place in Jordan, Minnesota, when children made allegations of manufacturing child pornography, ritualistic animal sacrifice, coprophagia, urophagia and infanticide, at which point the Federal Bureau of Investigation was alerted. Twenty-four adults were arrested and charged with acts of sexual abuse, child pornography and other crimes related to satanic ritual abuse; only three went to trial with two acquittals and one conviction. Supreme Court Justice Scalia noted in a discussion of the case, “[t]here is no doubt that some sexual abuse took place in Jordan; but there is no reason to believe it was as widespread as charged,” and cited the repeated, coercive techniques used by the investigators as damaging to the investigation.

One of the most visible Satanic organizations—though one that was never a suspect or charged in any of the Satanic Panic cases—is the Church of Satan, founded by Anton LaVey. Members of the Church, such as Peter H. Gilmore, Peggy Nadramia, Boyd Rice, Adam Parfrey, Diabolos Rex, and musician King Diamond, were active in media appearances to refute allegations of criminal activity and the FBI would later issue an official report debunking the criminal conspiracy theories of this time.

Gilmore feels Satanists are often misunderstood or misrepresented. LaVey’s teachings are based on individualism, self-indulgence, and “eye for an eye” morality, with influence from Friedrich Nietzsche and Ayn Rand; while its rituals and magic draw heavily from occultists such as Aleister Crowley. They do not worship—nor believe in—the Devil or a Christian notion of Satan. The word “Satan” comes from the Hebrew word for “adversary” and originated from the Abrahamic faiths, being traditionally applied to an angel. Church of Satan adherents see themselves as truth-seekers, adversaries and skeptics of the religious world around them.

On a windy October day in Central Park, Wikinews reporter David Shankbone sat down with the High Priest of the Church, Peter H. Gilmore, who has led LaVey’s congregation of Satanists since his passing in 1997 (he became the High Priest in 2001). They discussed the beliefs of the Church, current events, LaVey’s children and how Satanism applies to life and the world.

Tuesday, April 14, 2020

In February 2017, the Iranian Chess Federation announced two teenage chess players, Dorsa Derakhshani and her younger brother Borna Derakhshani, were banned from representing the national team. The federation announced their decision although Dorsa Derakhshani had previously decided and informed the chess federation she did not wish to play for Iran.

Dorsa Derakhshani is currently 21 years old and holds the International Master (IM) as well as Woman Grand Master (WGM) titles. Her brother, Borna, plays for the English Federation and holds the FIDE Master title.

Dorsa Derakhshani was banned since she did not wear a hijab, an Islamic headscarf, while competing at the Tradewise Gibraltar Chess Festival in January 2017. Under the laws of Islamic Republic of Iran, hijab is a mandatory dress code. Her brother Borna Deraskhsani was banned for playing against Israeli Grand Master (GM) Alexander Huzman at the same tournament. Iran does not recognise the existence of Israel, and previously, Irani athletes have avoided playing against Israeli athletes.

Mehrdad Pahlavanzadeh, the president of the country’s chess federation, explained the decision to ban the players saying, “As a first step, these two will be denied entry to all tournaments taking place in Iran and in the name of Iran, they will no longer be allowed the opportunity to be present on the national team.” ^{((fa))Farsi language: ?????? ????? ?? ??? ??? ?? ??? ????? ?? ?? ???? ???????? ?? ?? ????? ? ?? ??? ????? ?????? ??????? ????? ??????? ? ???? ???? ???? ?? ??? ??? ?? ??????? ????.} He further stated, “Unfortunately, something that should not have happened has happened and our national interest is paramount and we have reported this position to the Ministry of Sports.” ^{((fa))Farsi language: ????????? ?????? ?? ????? ????????? ?????? ??? ? ????? ??? ?? ?? ?? ???? ?????? ???? ? ?? ??? ???? ?? ?? ????? ???? ?? ????? ?????.}

IM Dorsa Derakhshani, who currently studies at Saint Louis University in the United States and plays for the United States Chess Federation, discussed her chess career, time in Iran and the 2017 controversy, and her life in Saint Louis with a Wikinews correspondent.

A compilation of brief news reports for Monday, July 9, 2007.

On July 9, 2007, Sony Computer Entertainment America announced the release of an 80GB hard drive version of its PlayStation 3 video game console, priced at US$599.

Sony also announced a price drop to US$499 for its current 60GB model. Jack Tretton, Sony Entertainment America chief executive, said, “Our initial expectation is that sales should double at a minimum.”

Sources

• “Sony cuts Playstation price in US” — BBC News Online, July 9, 2007
• Scea. “Sony Computer Entertainment America Introduces New 80GB PLAYSTATION(R)3” — prnewswire, July 9, 2007

Nigerian gunmen have released three-year-old Margaret Hill, after holding her captive for four days. The toddler has since been reunited with her parents. She is reportedly in good health but covered with mosquito bites and also hungry, having not eaten recently.

The kidnappers had threatened to kill the toddler unless a ransom was paid or Mr. Hill came to take her place. The family claims no ransom was paid for her freedom. She was kidnapped from her car on July 5, on her way to school. Her driver was stabbed trying to protect Margaret.

Sources

• “Nigeria kidnappers free UK girl” — BBC News Online, July 8, 2007
• “Nigerian captors release British girl” — CNN, July 8, 2007

Thursday, March 5, 2009

The small archipelago of Malta in the Mediterranean Sea takes the Eurovision Song Contest very seriously. Leading a fight to remove a cap on the number of competing countries brought them back to the Contest in 1991 after a 16-year absence, and ever since the nation has had perfect attendance.

Since then, Malta’s dependable “shining star” has been Chiara Siracusa, who goes by her first name in her music career. First competing in 1998 at the age of 21, she was pushed to the brink of victory until the votes from the final country that evening leveled her placement to third. Her rendition of the song “The One That I Love,” and the recognition she received not only for herself, but for her country, made her a star in Malta overnight, and helped her launch a singing career in Europe.

She would later return to the Contest in 2005 with “Angel,” an anthem she penned herself, and achieved second place. Now, in 2009, she will be going back to Eurovision for a third try, hoping for the “3-2-1” charm and a victory — something that has eluded her thus far. Her entry, the ballad “What If We,” has special memories for Chiara; it is dedicated to her father, who is recently deceased.

What if Chiara could take home the gold in Moscow; for Malta, for her father, and for herself? Only time will tell. Chiara took time out of her Eurovision promotional schedule to answer some questions from Wikinews’ Mike Halterman about her past performances, and most importantly, her upcoming one.

This is the fourth in a series of interviews with past Eurovision contestants, which will be published sporadically in the lead-up to mid-May’s next contest in Moscow.

((Mike Halterman)) You’ll be going to Moscow for a third try at possibly winning Eurovision. Why did you decide to compete this year? How did your partnership with Marc Paelinck and Gregory Bilsen come about?

Chiara: Well, I met Marc Paelinck long time ago through a friend in Belgium. We started working together and it brought us to this collaboration today. I was thinking of going back to the festival [for a long time] and this year felt like the right year to do so.

((Mike Halterman)) Eurovision fans from across Europe picked you as the wide favorite to win Malta’s preselection this year. Were you as confident? Were you nervous about competing in the semi-final rounds this time around, or did you think this was something you could handle?

Chiara: When I go into a competition, I always go to win, but I was nervous like everyone else…I think [when] you win a festival, [you win] for what you present, not for what your history is.

((Mike Halterman)) Growing up, did you always want to become a singer? Who were your musical influences, and what genres do you think are your favorite? Do you think these preferences have molded you into the singer you are today?

Chiara: Definitely. My mum always says I used to sing and dance for them all the time since I was a baby, and I’ve always loved ballads. In fact, my favourite singer has always been Whitney Houston.

((Mike Halterman)) How did you come to the decision to enter the Eurovision pre-selection for Malta back in 1998? What kinds of feelings did you experience during the path you took to eventual victory in the national final?

Chiara: 1998 was my first time in the festival. I was very young and I felt I could never win it. I wanted just to try and be there with the big names of those times. It was very scary and overwhelming, [and] then I won.

((Mike Halterman)) Did you feel overwhelmed performing in front of an international audience in Birmingham? What kind of personal feelings and emotions made you relate to the song you sang, “The One That I Love”? There were remarks afterwards that your performance was great, but your dress had similarities to Barbara Dex’s from five years before (and she has become well-known for her “fashion don’t”). Looking back on it, what did you think of that dress?

Chiara: Well…looking back I remember that I was completely overwhelmed [singing] in front of so many people. I was very scared but managed to do well. As for the dress, they were different times [back then] and it was beyond my control.

((Mike Halterman)) You came very close to winning the Contest for Malta back in 1998. When you didn’t, how did it make you feel? Did you feel “robbed”? As an addenda, some Wikipedians I’ve talked to have hypothesized that tabloid hype before the event helped Dana International win; in other words, she would not have won had she not been a transsexual. Do you feel that’s true, and did you like her song?

Chiara: I know a lot of Maltese who voted for Dana because they liked the song and for no other reason. The song was good and we still hear it today.

Obviously when you are so close to winning something and you don’t, yes, you feel a bit robbed, but [then there’s] the moment [when] you realise you did well and you are happy.

((Mike Halterman)) After Eurovision, you made a transformation from an unknown singing hopeful to a true recording artist. Tell us a bit about your transformation, and how you felt during this time. Also, around this time you started to perform in concerts and festivals abroad. What was your best memory from this time, when you were performing abroad and people from outside Malta not only knew who you were, but were interested in your life and music.

Chiara: Everything came like rain in my life, from one thing to the other, and before I knew it I became “Chiara of Malta.” I loved it, but I didn’t have much time to think about it. It came quickly; I went to a lot of places and sang with many people but I think what I will always remember is the concert I did with my band, where Seal was as well in the same event, in Frankfurt. It was incredible.

((Mike Halterman)) In 2005, you entered the Contest again, this time with a song you wrote yourself. What is the meaning behind “Angel,” and what kind of story do the lyrics tell about your own life and experiences?

Chiara: “Angel” is a love song and it will always have a special place in my heart. It’s about the love you give someone without wanting anything back, and the unlimited support too.

((Mike Halterman)) You achieved the best placing for Malta in Eurovision history with your performance in 2005. What did you learn from your experiences in 1998 and, in your mind, how did you improve to become more successful in 2005?

Chiara: I think it’s the maturity and the experience. [Through] the years, without knowing, you [gather] so many lessons and behave better and take things a bit more serious and so on.

((Mike Halterman)) Surely you’ve read not only supportive comments, but negative ones as well, particularly concerning your weight. At the same time, however, you have become a role model of sorts for fuller-figured women across Europe, who aren’t accustomed to seeing “people like them” at Eurovision. How did you deal with the negativity, both in the context of the Contest and in your personal life, and what message do you hope to give to full-figured women who look to you for inspiration?

Chiara: Well, I have always been “full figured,” as you put it. I have spent time in my life trying to become as thin as I could, but I could never make it. Through the years I have learnt to accept myself and love me for what I am and how I look. I feel I have nothing less than others and my advice is to be happy with yourself, and love yourself, because you can never get someone to love you if you yourself don’t.

((Mike Halterman)) Tell us about the emotions you convey in the song “What If We.” Every song has a story, so what is the story played out in this song?

Chiara: The story for me with this song is completely about my father. He was the one to contact Marc [Paelinck] and he was the machine behind Eurovision for me, so he’s entirely what this song is about for me and being that he passed away three months ago, well, it makes the song very special when I sing it.

((Mike Halterman)) If you had to absolutely pick one song, which of the three songs you’ve submitted is your favorite, and why?

Chiara: The three songs [each] have a story of [their own]. “The One That I Love” gave me my whole career, my fame and everything I am today so i can never forget it; “Angel” is too special because it’s like my baby, I wrote it myself; and “What If We” is very deep in my heart because of my dad, so I can never choose between them. Sorry!

((Mike Halterman)) What are your plans for after the Contest? What kinds of projects would you like to pursue? Have you considered launching a singing career in the United States?

Chiara: My immediate project after the festival is an album which I have already started working on, in my style [which] is completely ballads, then wherever that takes me I’ll go, [whether it be] the U.S. or elsewhere.

((Mike Halterman)) Finally, what would you like to tell all of your fans, awaiting your performance this May in Moscow?

Chiara: I would like to thank them for the ongoing support they have always showed me, and promise them I will give them my all on the performance night in Moscow.

Tuesday, March 22, 2005

Longtime Los Angeles architect Thom Mayne was awarded this year’s Pritzker Architecture Prize. Established in 1979 to honor “consistent and significant contributions to humanity,” the prize is considered by many to be the highest honor in the field. The award includes a bronze medallion and US$100,000. Mayne was the first American to receive it in 14 years; previous American recipients include Robert Venturi (1991) and Frank Gehry (1989).

Mayne earned his architecture degree from the {{w|University of Southern California|University of Southern California]] in 1968. A few years later he founded his own architecture school, the Southern California Institute of Architecture, which remains to this day. He then moved to Los Angeles, where in addition to running a firm, Morphosis, he teaches architecture at UCLA.

Mayne’s earlier work, considered “angry” and “brooding”, was outside of the architectural mainstream. His style was often called bold and audacious. This style has recently become more accepted, as Morphosis won contracts to design government buildings in California, Oregon, and Washington, DC. The firm also designed an Olympic village in Queens, in preparation for the city’s 2012 Olympics bid.

On receiving the prize, Mayne said, “This is such a big deal….it is not in my nature to think about being the one who prevails. For my whole life, I’ve always seen myself as an outsider.”

Tuesday, May 20, 2008

The discovery of the presence of airborne asbestos in a middle school in Montclair, New Jersey Friday prompted the evacuation of over 200 students from the school and the school’s closure. Renaissance Middle School, part of the Montclair Public Schools in New Jersey, was closed Monday and remains closed Tuesday while undergoing asbestos testing and cleaning.

According to a letter sent home to parents by the Superintendent’s Office of Montclair Public Schools on Friday, “plaster may have been disturbed” during construction on new fire doors at the Renaissance School building on Thursday.

An inspection arranged by the school district indicated asbestos was present in the plaster, and a subsequent inspection performed by asbestos consultant Detail Associates revealed “a level of airborne asbestos fibers that exceeded the acceptable range” in the third floor hallway of the school. Montclair Public Schools business administrator Dana Sullivan told The Star-Ledger that testing conducted on March 31 revealed the presence of asbestos in a brown undercoating of plaster at the Renaissance School building.

The affected area was sealed off, and some students were moved to other areas of the building while others were moved to off-site locations. District Public Information Officer Laura Federico told The Montclair Times that sixth and seventh graders were transported to Hillside Elementary School, and eighth graders were bussed to Montclair High School. “The safety of our students and staff is always our first concern,” said Federico.

According to The Montclair Times, Detail Associates conducted a cleaning protocol at the school on Saturday and tested the building to make sure it did not contain unacceptable levels of asbestos fibers. The letter sent to parents Friday by the Superintendent’s Office said that Detail Associates had told the district that the building would be “cleaned, tested and cleared for occupancy by Monday morning”. The school remained closed Monday, and a meeting was held between parents and school district officials. A Parent-Teacher Association meeting is planned for Wednesday night.

The Star-Ledger reported that the ongoing asbestos cleanup of the school is being supervised by the state Department of Environmental Protection. At the meeting Monday morning between parents and school district officials, parents demanded that the inside of lockers be included as part of the asbestos cleanup. This additional step in the asbestos inspection process prompted the school’s closure Tuesday. A Monday statement by the Business Office of Montclair Public Schools said that the Renaissance School would remain closed Tuesday for sixth and seventh grade students “so that an extensive cleanup and additional asbestos testing can be completed”. Eighth grade students did not have classes scheduled as a trip to Washington, D.C. had previously been planned; the school trip is unaffected by the recent asbestos incident.

Steve Jaraczewski of Detail Associates was present at the district meeting Monday, and said that one of four test samples taken at the school was positive for the presence of airborne asbestos at over six times acceptable levels. Jaraczewski was critical of the asbestos management plan provided by Roman Catholic Archdiocese of Newark, which owns the school’s building and leases it to Montclair Public Schools.

Jaraczewski said that the state Department of Environmental Protection has required asbestos management plans since 1988, but that the company that drafted the asbestos plan for the Archdiocese of Newark is out of business. Representative for the archdiocese Jim Goodness emphasized that the building would be back open for classes soon. “The kids will be able to go back to school soon, and that’s the important part,” said Goodness.

Exposure to airborne asbestos can lead to mesothelioma, a cancer which develops in the sac surrounding the lungs and chest cavity, abdominal cavity, or the sac surrounding the heart. Exposure to disturbed asbestos fibers can also lead to lung scarring, a condition called asbestosis, and lung cancer. Patients with malignant mesothelioma generally do not have positive outcomes, and once diagnosed have six months to a year to live.